Listening Journal Composer Research: Tchaikovsky

Listening Journal Composer Research: Tchaikovsky
Pyotr Tchaikovsky was a Russian composer during the late Romantic period. At the age of 53, he died of cholera suddenly.
Where do they fit into the Romantic Era?
Inspired by the death of his mother in 1854, Tchaikovsky began to compose, and made a waltz for her memory. Later, he relied on orchestration for many of his pieces. Tchaikovsky was also highly influenced by the workings of other Romantic composers, such as Franz Lachner and Jules Massenet, as when they began composing orchestral suites, he tried to as well.
What unique compositional styles did they have? What did they contribute to the development of music? What beliefs about music did they espouse?
Tchaikovsky had many different melodic styles. Mainly, his melodies did not progress or grow in any certain way, it more just repeated itself. Modulations were not very common in Russian culture, so they were not used as much by Tchaikovksy. He did very often make use of repetition in many of his pieces. Tchaikovsky advanced Russia with his compositions, as well as impacted absolute and programme music. His main concern while composing was how the aesthetic of that piece would impact the audience. Tchaikovsky wanted to appeal to his audience, and make a good experience. It has also been said that due to 18th century melodies and patriotic themes there was a strong undertone of Russian aristocracy.
Well-known work by composer:

Romeo and Juliet-Fantasy Overture

Elements of the Romantic Era: 

There are many occurrences of text depiction in this piece. Such as the love theme, at 3:20 and 4:50. This theme symbolizes Romeo and Juliet first meeting, and then their reconvening at the balcony. The two large cymbal crashes at 5:53 symbolize the suicide of Romeo and Juliet. Like many other Romantic pieces, this was a programme music piece. Much like Tchaikovsky's melodic style, the main love theme does not particularly develop or progress, as it more just repeats itself throughout the piece, such as at 3:20 and 4:50. Tchaikovsky usually did not do much to progress a melodic thing in his pieces.